01 02 03 04 05 06 07
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50 51 52 53 54 55 56
 
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v
Li Ting, The Garden through an Australian Painterís Eye, Suzhou Evening Paper, 3 July 2015, p. B12
Sasha Grishin, Different ideas, different mediums, The Canberra Times, October 24, 2014
Dan Rule, Around the Galleries, The Age Life & Style, p.5, August 17, 2013
Harriet Edquist & Elizabeth Grierson, A Skilled Hand and Cultivated Mind: A Guide to the Art and Architecture of RMIT University, 2012, p.140
Martin Patrick, Collapse, Implosion, Possibility-Film at 11, ex-cat, 2009
Mark Pennings, Finish- review, Eyeline 65, p.59, February 2008
Stephen Haley, Unfinished & uncontained, ex-cat,2007
Adrien Allen, Weep Holes, ex-cat, November 2006
Andrew Paul Woods, Off the Wall, Presto, No.77, October 2005, pp. 22–23
Asim Memishi, Awkward Balance, ex-cat, August 2005
Kit Wise, Contemporary Abstraction: Four Melbourne Painters, ex-cat, April 2005
Ashley Crawford, Craig Easton: Loose, The Age Preview, 17 April 2005, p. 30
Robert Nelson, Slipping into Abstraction, The Age Metro,15 April 2005, p. 8
Chris Beck, A Fix on Abstract, The Age Review, 2 April 2005, p. 7
David Thomas, Changing Times in Painting, ex-cat, May 2003
Martina Copley, The Museum Aesthetic, ex-cat, 2003
Gary Willis, X Melbourne, ex-cat, 2002
Sasha Grishin, Clever works in a cool show. The Canberra Times, 31 October 2001, p.14
David Thomas, Smooth, ex-cat, August 2001
Linda Williams, Glacier, ex-cat, September 2001
Linda Williams, Still, Like Art Magazine, No.14, Autumn 2001, pp. 44–45
Natasha Bullock, Look See: Five Contemporary Painters, ex-cat, March 2001
Sasha Grishin, Flirting with aloofness and spiritualism, The Canberra Times, 31 May 2000, p.16
David Cross, Loaded, ex-cat, May 2000
Fiona Donald,Strange Place, Like Art Magazine, No.11, March 2000, pp. 56–5
Sasha Grishin, A taste of good things to come, The Canberra Times, 1 December 1999, p.14
David Cross, Questions of Minimal Importance, ex-cat, May 1998